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The sequence used the then-new "multi-dynamic image technique" created by Canadian filmmaker Christopher Chapman; as a result of the popular attention it garnered in this sequence, it has been referred to in the press as "the Brady Bunch effect".quickly communicated to audiences that the Bradys were a blended family.The house used in exterior shots, which bears little relation to the interior layout of the Bradys' home, is located in Studio City, within the city limits of Los Angeles.According to a 1994 article in the Los Angeles Times, the San Fernando Valley house was built in 1959 and selected as the Brady residence because series creator Schwartz felt it looked like a home where an architect would live.
A compromise was reached whereby Carol's marital status (whether she was divorced or widowed) was never directly revealed.In 1997, "Getting Davy Jones" (season three, episode 12) was ranked number 37 on TV Guide In 1966, following the success of his TV series Gilligan's Island, Sherwood Schwartz conceived the idea for The Brady Bunch after reading in The Los Angeles Times that "30% of marriages [in the United States] have a child or children from a previous marriage." He set to work on a pilot script for a series tentatively titled Mine and Yours.Schwartz then developed the script to include three children for each parent.Although similarities exist between the series and two 1968 theatrical release films, United Artists' Yours, Mine and Ours (starring Henry Fonda and Lucille Ball) and CBS's With Six You Get Eggroll (starring Brian Keith and Doris Day), the original script for The Brady Bunch predated the scripts for both of these films.
Nonetheless, the outstanding success of the United Artists film (the 11th-highest grossing film of 1968) was a factor in ABC's decision to order episodes for the series.Filming of the pilot began on Friday, October 4, 1968, and lasted eight days.